Category Archives: wildflowers

"Sylvia's Prairie", watercolour

Sylvia’ s Prairie

Years ago I made a choice to let go of my perennial garden so that I could spend more time in Pheasant Creek Coulee with the wildflowers that were already there. Flowers requiring no care at all. I felt some sadness about this choice, but have been thrilled about the time it has freed up for me. I especially love to spend very early mornings painting in the coulee once the ticks have disappeared.

This Covid summer has been no exception. In fact, life without playshops and art sales has offered me not only MORE time in the coulee, but also daily visits! What I have most noticed is how the more I get to know, the more I realize I have not noticed before. How could I have missed that, I think? I note that I miss so many things. “I see, but don’t see”. There is always a new surprise or mystery when I visit the coulee. We see and experience the natural world with strong filters. Happily, daily visits disturb some of my filters.

Showy Locoweed (the flowers not out yet, but an impressive plant, so furry and luxurious!)

Showy Locoweed in bloom

 

 

 

 

 

 

 

 

A great joy has been wondering about the mystery of an emerging plant – before it blooms. Who are you? What colour will you be? In the case of Showy Locoweed, it was several weeks between emerging leaves and eventual blossoms. Well worth the wait!

Now, I am appreciating the varieties of seedheads, and finding great beauty in this stage of plant life. How can the delicate pink and white bell shaped flower of Spreading Dogbane become a brilliant red pod sometimes measuring four inches long?

Spreading Dogbane-the pod

Spreading Dogbane- flowers

 

 

 

 

 

 

 

These last few weeks, I have perched on my stool, looking down. I am intrigued by the shapes and forms and postures of plants. I have always loved the distinctive shape of Indian Breadroot* or the particular curve of milk vetch leaves on the stem. Or the deep green of Indian Breadroot contrasted with the silvery green of wolf willow and sage.

“Underfoot”, Watercolour, 14.5 ” x 14.5″

My first painting, entitled “Underfoot” highlights the leaves of Indian Breadroot when the blossoms are dying. In the background are the fading leaves of the prairie crocus. At this time ( early July) Ascending Purple Milk Vetch (blue) is in full bloom, as are Gaillardia (yellow) and Hedysarum (pink). Broom is just coming into bloom and it’s bright fake grass green colour contrasts with the other shades of green.

Detail of “Sylvia’s Prairie”

“Sylvia’s Prairie” was painted over several visits the last ten days of July. Silver Leaf Psoralea ( a cousin of Indian Breadroot) is highlighted in this painting and I love how its silver leaves contrast with the green of Western Wild Bergamot (shown here without blossom). Other blooming plants include Purple Prairie Clover, Harebell, Pink Prairie Onion, and Low Goldenrod. Flax seeds and the empty rust coloured seed heads of groundsel as well as wild licorice leaves are here also.

The title of this piece came as a wonderful surprise. Once I was finished and was looking at this painting from a distance, I thought, “These are Sylvia’s (my late mum) colours.” In fact, I could imagine her wearing a shirt just like this. I was struck by how our parents are always with us, even when we have no idea they are present. Years ago, when my mum visited the prairies, she loved to smell the sage. She always picked some to freeze in a baggie, and pull out from time to time, just to breathe that distinctive prairie smell deeply. So, it fits that two types of sage are in this painting as well – women’s sage and pasture sage.

In some ways, I am pleased with “Sylvia’s Prairie”. Yet, at the same time, some dissatisfaction  pushes me to explore further. I like the energy and movement in an earlier attempt to get to know Silver Leaf Psoralea (below). I begin August wanting to spend more time getting to know Silver Leaf Psoralea better by sitting with her, drawing and painting her, trying to express other dimensions of her incredible beauty and wildness.

* Indian Breadroot is also known as Prairie Turnip.


Pheasant Creek – Some July Wildflowers

Western Wild Bergamot

Western Wild Bergamot, a wonderful peppery  leaf added  to tea

Skeleton Weed

Hedysarum, above and Northern Hedysarum, below plus a little yarrow

Northern Hedysarum

Juniper is not a flower but so lovely and fresh with new berries coming

Low milkweed started blooming in June, but I am discovering patches of her for the first time, and she continues to bloom in July

Green Milkweed

Silvery groundsel going to seed…in this photo the seeds of the bottom three have flown away. I painted this seedhead last winter not knowing what is was

Smooth Camus, close up, new to me this year

Smooth Camus

Late Locoweed (see May for Early locoweed)

Harebells

Giant Hyssop

Skunk bush

Western Red Lily

Wild LIcorice

Brown Eyed Susan’s

Many flowered aster

Purple Prairie Clover – who could resist this plant?

White Prairie Clover, cousin to Purple Prairie Clover

Dotted Blazingstar

Short Stemmed Thistle

Short Stemmed Thistle

Field Geranium, naturalized

Red Clover

Plains Cinquefoil

Yellow Evening Primrose

Yellow Evening Primrose

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PInk flowered Onion

PInk flowered Onion

Gaillardia (Blanket Flower)

Spreading Dogbane

Showy Locoweed

Beautiful Sunflower

Silverleaf Psoralea

Smooth Aster

Prairie Coneflower

the seedhead of yellow flax

Hairy Golden Aster

“Underfoot”, Watercolour, 14.5 ” x 14.5″

“Early Morning”, Watercolour, 10″ x 8″

 

Pheasant Creek – Late June Flowers

In my humble opinion, June is the best month for wildflowers. There are so many new flowers coming to blossom, it is hard to keep up. Interesting seed heads to observe from earlier plants. The leaves of plants that are coming soon have emerged. It is also a beautiful month, unlike any other for startling prairie skies. Of course, the plants bloom long after my  contrived two week time periods. And yet, keeping note of the plants as they bloom has me noticing more. The more I learn, the more I notice.  The more I learn, the more questions I have. What a privilege it is to walk the same hills daily, to notice the ever changing plants and shrubs as well as the birds, animals and insects.

A beautiful year for wild roses

Gaillardia (or blanket flower)

Goatsbeard started to bloom at the beginning of June. the seedheads, like very large dandelion seed heads just came out at the end of June.

Ascending Purple Milk Vetch

Spreading Dogbane

Showy Locoweed. I have been admiring the furry leaves for many weeks. Finally, at the end of June, the first blossoms show up.

False Dandelion

Close up of Prickly Pear Cactus

Prickly Pear Cactus catching the last sun of the day

Harebell (and a small bit of bedstraw)

Western Wallflower (a member of the mustard family)

Caraway

Smooth Fleabane

Low Milkweed

Hedysarum (began blooming in early June)

Yarrow

Prairie Lily

Buckbrush

the plums of ground plum or are they?

Alfalfa…this is in the meadow as I approach the hills. Many people haven’t seen it before and comment on her beauty- in all shades of purple and cream

Fritilitary enjoying alfalfa’s sweetness

Hawksbeard (not sure which one) with chamomile in background

White Water-Crowfoot

Nuttall’s Atriplex (Atriplex gardneri) Antelope, mule deer, rabbits, and mourning doves graze on it. Its leaves are an important food source during the winter because of their persistency. It is especially important for sheep because it contributes to the minimum nutritional requirement for maintenance of gestating female sheep

Just at the end of June, the first prairie coneflower blossoms

Low Goldenrod

Which vetch this is I am not sure

 

Sources: Saskatchewan Wildflowers Website by Glenn Lee and Facebook Page of Saskatchewan Native Plants- Saskatchewan Native Plant Society 

Pheasant Creek – Early June Flowers

Despite the dry hills, it has been hard to keep up with all the new blooms and emerging plants this first two weeks of June. The air has been permeated with the distinctive smell of wolf willow in bloom – a prairie smell unlike any other. For most of this time, all the plants shown in my  late May post (with the exception of the fruit bushes) have continued to be in bloom as well. Even though 22 plants are pictured here, there are also plants I have seen which are not included here (cut leaf anenome, wood anenome, some milk vetches among them) and plants that I have missed altogether. Keeping this record is helpful to me. I notice more.

The first tiny gaillardia…almost like a dream of gaillardia!

Goat’s Beard

Wolf Willow – this beautiful scent filled the air the first week of June. Nothing like it!!

Indian Breadroot, also known as wild turnip

Indian Breadroot (This is a favourite plant of mine)

White Beard’s Tongue. Usually I have also found Blue Beard’s Tongue but not this year.

Love the colours in this young Saskatoon

Wild Rose

Twining Honeysuckle

Red Osier Dogwood

Yellow Flax

Silvery Groundsel dotting the hills right now

American Hedysarum

Scarlet Guara

Yellow Umbrella Plant

Cream Coloured Vetch

Fleabane (Smooth?)

Northern Bedstraw

 

 

Pygmy Flower – after blooming, also known as Fairy Candelabra

Scarlet Mallow

American Vetch

Short stemmed thistle

Meadow rue – found in the woods of Pheasant Creek

This is three flowered avens after blooming – you can see why it is called Prairie Smoke

Pheasant Creek – Early May Flowers

My friend and teacher Ron tells me that when we thank Mother Earth she knows! Doesn’t matter how we thank the earth, he says. You can bow, sing a song, strike a yoga pose, simply notice and pay attention, dance a jig, say a prayer, write a poem, offer a gift. However we do it, Mother Earth knows. According to Ron, she celebrates. She wants to  be noticed, to be loved, to be acknowledged, to be remembered, to be revered.

I don’t know that I have ever before taken the time to visit Pheasant Creek Coulee almost every day. It has been a gift in noticing, paying attention, being astonished, and returning home. My eye most often scans the earth, looking at stones, grasses, emerging plants, blossoming plants, and faded remnants of last year’s growth.  Once again, this post is mostly for myself – a  visual record of the plants that typically grown in Pheasant Creek during the first half of May. These wildflowers are both common, and uncommonly beautiful! Each year, it seems, i meet a new plant friend I managed to miss in all the springs before!! (This spring it is Sunloving Sedge.)

 

Early cinquefoil- with beautiful silver lining on the leaves, early cinquefoil comes up after the crocuses about the same time as moss phlox.

Moss phlox

Violet

Cushion milk vetch

This second week of May, cushion milk vetch dots the high sandy slopes

Sand Bladderpod

Sand Bladderpod

Lower towsnendia (usually seen in groups. Is this early?)

a last crocus  on a woody hillside (May 8, 2020)

Wild strawberry

Sunloving Sedge

Sunloving sedge

Plains Cymopterus (not a great photo. Less than an inch high. Part of the parsley family which you can see in its leaves)

Early Locoweed

Missouri Milk Vetch

Missouri Milk vetch

Showy Locoweed (the flowers not out yet, but some an impressive plant, so furry and luxurious!) Its related to Early Locoweed and flowers will be a beautiful blue/pink/purple

 

Golden Bean

Three flowered avens (May 13, 2020)

Pale comandra (very common, flowers not quite out)

Low Everlasting

Low Everlasting

Chokecherries leafing out (I could not resist this colour!!)

Hoary Puccoon – just about to pop! (May 16, 2020)

Sources: Wildflowers Across the Prairies,  by F.R. Vance, J.R. Jowsey and J.. MacLean, Western Producer Prairie Books, Saskatoon, 1984 and Glenn Lee’s excellent website.

Sticks and Stones (and maybe bones)

“We could never have loved the earth so well if we had no childhood in it.” George Eliot

Sticks and Stones (and maybe bones) was an all ages PLAYshop offered twice this summer. Both days, we began at Kerry Farm, and then drove to nearby Pheasant Creek Coulee where we spent a few hours exploring the meadows, hillsides, creek bed, and wooded areas around this part of the coulee. We then returned to Kerry Farm for lunch and an afternoon of rest and creativity (and one of the days, tree-climbing).

During the July PLAYshop, the wildflowers were blooming profusely, Saskatoon berries were plump and plentiful, the creek was running due to recent rains. A bone was found! On our August day, a few of the July wildflowers were still in bloom as well as the August beauties, there were still Saskatoon berries, and the creek bed was mostly dry and kind of green where there was moisture. The grasses were spectacular – every colour of green, as well as pink, yellow, rust, purple, and reddish. No bones were found, but a number of sticks and stones came back to Kerry Farm. My highlight during the second PLAYshop was this: a boy, running past me up the hill, declaring at top volume,”OH! I LOVE NATURE SO MUCH!” Makes me smile just to remember.

Below are some photos which will give you a feel for the beauty of Pheasant Creek Coulee, as well as the open hearted spirit each person brought to the day.

Photo Credit: Jody Hyndman

Photo Credit: Jody Hyndman

Photo Credit: Jody Hyndman

Photo Credit: Jody Hyndman

 

How To Make Friends with a Wildflower

Photo Credit: Jo Anne Lauder

Jo Anne Lauder, one of the artists who took part in “Befriending Wildflowers – An Art Retreat” at the Qu’Appelle House of Prayer this July, took the stunning photo above, capturing the delicacy of a prairie wildflower bouquet. “Befriending Wildflowers” gave us a chance to slow down, to explore the hills and meadows around us, and to spend quiet happy time in each other’s company observing, sketching, and painting wildflowers. We painted under the green shade of trees on some very hot days, and were grateful for the cooling breeze. Grateful too, for the generous hospitality of Glenn, Chantelle, Kathy, Tim, and Simba, the cat. Their hospitality included delicious meals and surprise snacks, thoughtful reflections about wildflowers, and mowing the  steep and curving trails that lead up the hills (a Herculean act, in my opinion). If Simba detected any sense of a rush, he had a lovely way of asking for some affection, and slowing us down. We were also deeply grateful for the many gifts of the wildflowers, and the beautiful natural world surrounding us. Below are some photos of our time together, and if you continue all the way to the bottom, some preliminary thoughts on how to make friends with a wildflower.

She said she doesn’t climb hills and then SHE DID! (Wait to go, Deb!)

this beautiful view (still celebrating the climb!)

new friends

we also came “to just be”, to quietly sit

Moments of quiet absorption

 

a little watercolour play

Breathe while you paint (this flopped but fun experiment because how will you breathe if you are worried about getting paint on the garage door??)

Loosening our brush stroke by pasting a stivk to the end of our brush (still worried about paint on the doors!!)

early Saturday morning, beautiful mist…that is the chapel in the distance

Spreading Dogbane Foliage by Deb

Getting to know the flowers by sketching them first (Deb)

Bouquet by Deb

Purple Prairie Clover and Gaillardia by Jo Anne

Unfinished Woodland Foliage by Jo Anne

Wild Rose by Jo Anne

Wildflower Sampler (Purple Prairie Clover, Western Wild Bergamot, Harebell, Prairie Coneflower, Gaillardia, Alfalfa) by Jo Anne

Wild Rose by Teri (First ever attempt with watercolours)

Wildflowers in Tree by Marg

Alcohol Ink by Marg

Bible Journal by Marg

Wildflowers and Earth by Marg

“Nature yourself with kindness” by Marg

A partial art gallery on the logs

Spreading Dogbane and other foliage by Sue

More foliage by Sue

Back: Teri, Jo Anne, Marg Front: Deb, Sue


Some Preliminary Thoughts on Making Friends with Wildflowers

  • The old adage “Stop (or slow down) and smell the flowers” is a good one. Stopping is necessary. Smelling is great – some of us have the most beautiful scent, some no discernible scent, and some a memorable scent. You can smell us best when on your knees.
  • Once you have stopped, spend a little time with me. Really look at me. Touch me – gently, see how I feel. Notice if there are others like me around. What made you look at me? Sing me a song. Tell me what you appreciate about me. It takes a long time to get to know me well.
  • From someone who knows us well: be humble around us. We have been on Planet earth for much longer than you. We are your Elders, your teachers. (paraphrased from Robin Wall Kimmerer)
  • Don’t pick me with out asking. I will answer. Wrap my stem in a little water so I will stay alive a little longer. When you take me home, admire me, place me in a central spot, sketch or paint or photograph me. If that is not your thing, you could write me a love song.
  • Never pick me if I am the only one, or if there are very few of my kind.
  • Walk lightly. That way if you step on me I am more likely to bounce back.
  • Come and visit me often. At first you will notice me only when I am in full bloom, but in time you will learn to notice my emerging leaves, my bud, how I flower and how my middle turns to seeds. You will find me beautiful even as I am dying. Each stage of my life is wondrous.
  • Listen to me.
  • Look around and notice who my neighbours are, which butterflies, bees and flies like to pollinate me, if I am tasty to any wild creatures.
  • Sometimes leave me alone. Just like any friend, I need quiet at times.
  • I enjoy your small gifts of thanks, but the best gift of all is an appreciative heart. Or lovely water (especially in a dry year).
  • Other thoughts?

    Harebell Photo Credit: Chantelle Bonk, Qu’Appelle House of Prayer

Befriending Wildflowers (the noisier version)

It was a very hot and humid day when we set out to explore the wildflowers of Pheasant Creek Coulee, with small sketchbooks in hand.  Each sketchbook had several line drawings of flowers we hoped to find, with a space to name it ourselves, and a space for the common name. I had anticipated moving quickly across the pasture to the hills below but this gaggle of 5 girls and 2 moms stopped to look at  and appreciate every wildflower – they did not miss one – and gave each some very fun names. We collected a few to paint later and proceeded to a very steep hill full of western wild bergamots and a scary climb down  (for some!) that ended with a slide several feet down to the road!!

We returned to Kerry Farm a little overheated, but cooled down with a delicious potluck lunch. We found some shade to really look closely at our wildflowers and experiment with watercolour painting. Along the way, we visited Grandmother Willow (for a little tree climbing and some feather collecting) and said hi to the horses. We ended the day with some flower yoga and gymnastics as you can see.

This is a companion piece to Befriending Wildflowers (the Quiet Version)

Befriending Wildflowers (the quiet version)

“Nobody sees a flower – really – it is so small it takes time – we haven’t time – and to see takes time, like to have a friend takes time.” Georgia O’Keefe

“Befriending Wildflowers” was a two day art retreat which gave us time to “really see a flower” and to befriend some of the  wildflowers who live on the slopes of the Qu’Appelle Valley. By spending time with the wildflowers on the hills, by painting and drawing the flowers that called to us, we came to know a few flowers more intimately.

We were so fortunate to be able to hold this retreat at the Qu’Appelle House of Prayer  which is

Photo by Tania Wolk

nestled in the hills above Echo Lake. We painted under the shade of trees during the hot days, and hiked through woodland trails up to the top of the hills where grasses and flowers bloomed profusely in the early mornings and evenings. We were so warmly welcomed and cared for by Glenn, Margaret, Kathy and Tim.  Silence and quiet are encouraged and allow us to connect with nature more deeply than usual. For those who wished, Eucharist and “silent sitting” enriched our experience. The Qu’Appelle House of Prayer is a sacred place.

some of our “cat flowers”…instructor Kami Jo second from right

While the land (and the flowers) were our greatest teacher(s), we also learned so much from each other. Our youngest participant, Kami Jo, led a session on creating cat flowers which was fantastic. Tania helped us draw flowers in their simplest shapes, getting to the essence of the flower, and helping us see flowers in fresh ways. We painted with dominant hand, non-dominant hand, standing, sitting, upside down,  and we sometimes timed ourselves to get the feel of a flower rather than the details. We did flower yoga, and played flower charades, and  did breathing exercises. We laughed frequently. We moved  very slowly (to Kami Jo’s frustration). We called our unhurried pace “wildflower time”. We learned how painting on the ground in a meadow was a completely different experience from painting a vase of flowers.

Wildflower Joy! Photo by Tania Wolk

Photo by Elizabeth Gavin

Photo: Tania Wolk

Speaking for myself, It was pure joy to be with others who take notice and delight in wildflowers. Being with others  who are totally absorbed  in trying to get the feel of a particular flower on paper is very settling, calming and joyful. I saw wildflowers in new ways, and sometimes through the eyes of others, I saw familiar wildflowers in completely unfamiliar ways. I treasure my friendships with wildflowers – through the presence and teachings of my companions, my friendships continue to grow and thrive.

Once upon another PLAYshop, this one focusing on trees, hypnotizing chickens became the most fun thing to do. During our Befriending Flowers time, the most fun thing for Kami Jo was having the chance to drive Margaret in the golf cart! You have to scroll to the bottom for photos of that one.

I feel gratitude for the sacred place that is the Qu’Appelle House of Prayer, for the people that care for it, and for us; for the beautiful hills, grasses and wildflowers; and for each of those who took part so wholeheartedly!! Thank you.

Diane getting to know gaillardia

Gaillardia seed head, Diane

Gaillardia sun and shadows, Liz

Gaillardia, photo by Tania Wolk

Gaillardia Seed Heads by Tania

Purple Prairie clover, first impressions, Liz

Purple Prairie Clover, Photo by Tania Wolk

Cat flowers, Kami Jo

Purple Prairie Clover, Tania

Trying with marker, Kami Jo

Wild Rose, early morning meditation, Diane

Wild Rose, early morning meditation, Tania

Wild Rose, after the petals fall and before the rose hip forms. Beauty in every stage. Tania.

Liz’s flowers…gaillardia, bergamot, wild rose

Cat Flower, Liz

Wild Bergamot (using Tania’s shape method), Sue

Wild Bergamot makes us go wild and free, Diane

And the wind blew, and the bergamot got wilder!  Whoohee!!

Dancing in the Meadow, Sue

Kami Jo’s flowers, photo by Tania Wolk

Who painted the fastest of us all? (Kami Jo)

Early morning painting in the meadow

Totally absorbed as we “befriend a wildflower”

Mai Jo befriending Margaret, Margaret befriending Kami Jo. Margaret is one of the co-directors of the Qu’Appelle House of Prayer, along with Glenn Zimmer. Photo by Tania Wolk.

Saving the best for last!! Finally we are speeding up, says Kami Jo. Photo by Tania Wolk.

through the looking glass, Northern Bedstraw, photo by Tania Wolk

 

Resilient Fireweed

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Fran Morberg-Green is a First Nations heritage interpreter at Dänojà Zho Cultural Centre in Dawson City. I read these words as I learned more about the Tr’ondëk Hwëch’in’s long history in what we now call Dawson. Fran’s words resonated with me. Fireweed establishes itself in “disturbed” areas. Think of it’s common name: fire weed, the plant that establishes itself after a fire, the plant that is everywhere. Fireweed is nothing if not resilient.

Near Dawson City, the scorching effects of colonialization which began with the Gold Rush included deforestation of the land, rearrangement of the land (when you drive into Dawson huge piles of rocks and tailing ponds greet you), removal of traditional fishing camps, disease, fishing and hunting detrimentally affected, repeated resettlement, broken trading routes and relationships, the introduction of alcohol, loss of language and culture to name just a few. Despite all this, the people of Tr’ondëk Hwëch’in are still there and the Dänojà Zho Cultural Centre is just one sign of their flourishing.

When we first arrived, the fireweed was in full bloom – swaths of pink, magenta, violet along road sides, in the crevices of steep cliffs, along the banks of the Yukon River. Sometimes, because they are so plentiful, you stop seeing them – I mean really seeing them, in the way we become blind to the blazing yellow of a patch of dandelions during a Saskatchewan spring. Through August, the blossoms fall, revealing spiky long red capsules which contain silken seeds. The capsules open and curl, releasing the seeds. Slowly, the capsules fall off. The leaves and stem change colour – I have seen every colour from red to scarlet to salmon to  burgundy to purple/purple to orange to rust to yellow. All of this in a background of green, green, green. There are not enough descriptors  in the English language  to cover the range of shades and hues of the fireweed plant in late August. From a distance, communities of fireweed can seem to be a dusty pink, a blood red or a vermillion. I am wooed by the colours but also by the fascinating variety of postures this plant seems to take. Sometimes tall, upright and elegant, occasionally droopy and dejected, many times looking as if caught in the middle of a beautiful dance.

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Source:http://cesdreed.blogspot.ca/2015/02/martha-black-her-story-from-dawson-gold.html

Martha Louise Black (left), a champion of the Yukon, a politician and an amateur botanist urged the territory to choose the Prairie Crocus as its official flower in 1954.  She felt that fireweed (Chamerion angustifolium) was too “common” to merit special status as the territorial flower.  The prairie crocus embodied the spirit of Yukoners, springing to life even with snow on the ground after the harshest of winters. For most Yukoner’s, however, the resilient fireweed was the plant best suited to represent the Yukon. They politely waited until Martha Black died in 1957 and named fireweed as the territorial flower.

Although fireweed grows elsewhere in Canada, it is here in Yukon that it has wound its way into my heart.

Fireweed has been used for centuries for medicinal purposes; early shoots can be steamed as a vegetable, young leaves added to salad, and pharmaceutical companies use fireweed in some skin care products. Here in  Yukon, there is fireweed honey, firewood beer and fireweed tea! We bought books at Mac’s Fireweed Books, visited the Fireweed Community Market, both in Whitehorse, and enjoyed a fantastic musical duo called Fireweed and Flannel in Kluane.

I couldn’t resist including this sweet paragraph about fireweed:

 “Fireweed’s tiny seeds ride the wind like parachutes and begin new life where fate carries them.  Even in clear-cuts, roadsides and burns, fireweed plants itself and rises up – stately, steadfast and strong.  It rarely stands solo.  Fireweed builds a thriving plant community through spreading seeds and lateral root networks.  In summer, rose to violet-colored flowers bring immeasurable beauty to stark landscapes.  They are so papery thin that they appear luminescent.  I blush sometimes when I take a close look.  They remind me of the tender blaze of love, or a sweet encounter that leaves me breathless and awed.” – Elise Krohn,  http://wildfoodsandmedicines.com/fireweed/

I might not have noticed the fireweed if not for Fran Morberg-Green’s words. I might have just seen a colourful “weed”. I might have seen it, but not really seen it. Something like the resilience and resurgence of Indigenous people and communities here in Yukon (and elsewhere in Canada) – if we take the time to really look, so much is happening. I see Indigenous people rising up everywhere I look – here in Yukon in the thriving cultural centres (like Dänojà Zho) that are a vital part of each community we have visited, and are doing much to shift the dominant narrative of the gold rush. In the resurgence of carving and other art forms among young people. In the art and activism of Christi Belcourt. In grassroots movements like Idle No More. In those defending the land, at Grassy Narrows, in Northern Saskatchewan, on the BC Coast… all across this land. In the persistence and sheer integrity of Cindy Blackstock. In people learning the language of their ancestors. In ceremony. In the quiet actions of many of my friends who have broken the cycle and who are working day by day for good in their communities and in their families. In those who have the courage to speak out against injustice, again and again and again.  The list could go on and on. There is much richness and wisdom and colour and variety, so many ways for we settlers to learn. As David Suzuki recently said, “We in the dominant society need First Nationswe need something they have held onto despite everything we have done to them and that is the sense of connection to the land”, the earth as our mother, the animals and plannts and rocks as our relatives.* I echo those thoughts of Dr. Suzuki and offer  these  photos of our amazing relative, fireweed, … my own prayer for resilience and resurgence. Rise up!

*David Suzuki being interviewed by Rosanna Deerchild on CBC Radio’s Unreserved, August 28, 2016

 

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Fireweed on the Chilkoot Trail

Fireweed along the Chilkoot Trail

Fireweed along the Chilkoot Trail

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Inside these long spikes are silken seeds… horsetail in behind (a childhood favourite)

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the seeds letting loose – this is the “messy” stage

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I wish this image was in better focus but I love that it is blossoming at the same time as the leaves are turning colour… red and magenta – what could be more beautiful? Especially when surrounded by green.

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fireweed along the side of the road, Kluane National Park.

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Fireweed and yarrow, Kluane National park

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I love this dusty pink, the seeds (smoke can be seen on the bottom left)

on the St. Elias hike, Kluane national Park

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The yellow leaves are dwarf birch, trembling aspen trunks with splashes of red fireweed

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