Author Archives: sbland

About sbland

Sue Bland (aka Poached Egg Woman) is a visual artist who lives on a farm in rural Saskatchewan. A chicken farm, to be exact, hence she eats a lot of poached eggs! Sue works primarily in paper collage and watercolours, and offers art PLAYshops to anyone interested in exploring their creative side and having fun.

Resilient Fireweed

20160811_110517

Fran Morberg-Green is a First Nations heritage interpreter at Dänojà Zho Cultural Centre in Dawson City. I read these words as I learned more about the Tr’ondëk Hwëch’in’s long history in what we now call Dawson. Fran’s words resonated with me. Fireweed establishes itself in “disturbed” areas. Think of it’s common name: fire weed, the plant that establishes itself after a fire, the plant that is everywhere. Fireweed is nothing if not resilient.

Near Dawson City, the scorching effects of colonialization which began with the Gold Rush included deforestation of the land, rearrangement of the land (when you drive into Dawson huge piles of rocks and tailing ponds greet you), removal of traditional fishing camps, disease, fishing and hunting detrimentally affected, repeated resettlement, broken trading routes and relationships, the introduction of alcohol, loss of language and culture to name just a few. Despite all this, the people of Tr’ondëk Hwëch’in are still there and the Dänojà Zho Cultural Centre is just one sign of their flourishing.

When we first arrived, the fireweed was in full bloom – swaths of pink, magenta, violet along road sides, in the crevices of steep cliffs, along the banks of the Yukon River. Sometimes, because they are so plentiful, you stop seeing them – I mean really seeing them, in the way we become blind to the blazing yellow of a patch of dandelions during a Saskatchewan spring. Through August, the blossoms fall, revealing spiky long red capsules which contain silken seeds. The capsules open and curl, releasing the seeds. Slowly, the capsules fall off. The leaves and stem change colour – I have seen every colour from red to scarlet to salmon to  burgundy to purple/purple to orange to rust to yellow. All of this in a background of green, green, green. There are not enough descriptors  in the English language  to cover the range of shades and hues of the fireweed plant in late August. From a distance, communities of fireweed can seem to be a dusty pink, a blood red or a vermillion. I am wooed by the colours but also by the fascinating variety of postures this plant seems to take. Sometimes tall, upright and elegant, occasionally droopy and dejected, many times looking as if caught in the middle of a beautiful dance.

whyard1

Source:http://cesdreed.blogspot.ca/2015/02/martha-black-her-story-from-dawson-gold.html

Martha Louise Black (left), a champion of the Yukon, a politician and an amateur botanist urged the territory to choose the Prairie Crocus as its official flower in 1954.  She felt that fireweed (Chamerion angustifolium) was too “common” to merit special status as the territorial flower.  The prairie crocus embodied the spirit of Yukoners, springing to life even with snow on the ground after the harshest of winters. For most Yukoner’s, however, the resilient fireweed was the plant best suited to represent the Yukon. They politely waited until Martha Black died in 1957 and named fireweed as the territorial flower.

Although fireweed grows elsewhere in Canada, it is here in Yukon that it has wound its way into my heart.

Fireweed has been used for centuries for medicinal purposes; early shoots can be steamed as a vegetable, young leaves added to salad, and pharmaceutical companies use fireweed in some skin care products. Here in  Yukon, there is fireweed honey, firewood beer and fireweed tea! We bought books at Mac’s Fireweed Books, visited the Fireweed Community Market, both in Whitehorse, and enjoyed a fantastic musical duo called Fireweed and Flannel in Kluane.

I couldn’t resist including this sweet paragraph about fireweed:

 “Fireweed’s tiny seeds ride the wind like parachutes and begin new life where fate carries them.  Even in clear-cuts, roadsides and burns, fireweed plants itself and rises up – stately, steadfast and strong.  It rarely stands solo.  Fireweed builds a thriving plant community through spreading seeds and lateral root networks.  In summer, rose to violet-colored flowers bring immeasurable beauty to stark landscapes.  They are so papery thin that they appear luminescent.  I blush sometimes when I take a close look.  They remind me of the tender blaze of love, or a sweet encounter that leaves me breathless and awed.” – Elise Krohn,  http://wildfoodsandmedicines.com/fireweed/

I might not have noticed the fireweed if not for Fran Morberg-Green’s words. I might have just seen a colourful “weed”. I might have seen it, but not really seen it. Something like the resilience and resurgence of Indigenous people and communities here in Yukon (and elsewhere in Canada) – if we take the time to really look, so much is happening. I see Indigenous people rising up everywhere I look – here in Yukon in the thriving cultural centres (like Dänojà Zho) that are a vital part of each community we have visited, and are doing much to shift the dominant narrative of the gold rush. In the resurgence of carving and other art forms among young people. In the art and activism of Christi Belcourt. In grassroots movements like Idle No More. In those defending the land, at Grassy Narrows, in Northern Saskatchewan, on the BC Coast… all across this land. In the persistence and sheer integrity of Cindy Blackstock. In people learning the language of their ancestors. In ceremony. In the quiet actions of many of my friends who have broken the cycle and who are working day by day for good in their communities and in their families. In those who have the courage to speak out against injustice, again and again and again.  The list could go on and on. There is much richness and wisdom and colour and variety, so many ways for we settlers to learn. As David Suzuki recently said, “We in the dominant society need First Nationswe need something they have held onto despite everything we have done to them and that is the sense of connection to the land”, the earth as our mother, the animals and plannts and rocks as our relatives.* I echo those thoughts of Dr. Suzuki and offer  these  photos of our amazing relative, fireweed, … my own prayer for resilience and resurgence. Rise up!

*David Suzuki being interviewed by Rosanna Deerchild on CBC Radio’s Unreserved, August 28, 2016

 

20160801_074651

Fireweed on the Chilkoot Trail

Fireweed along the Chilkoot Trail

Fireweed along the Chilkoot Trail

20160817_095531

20160816_191147

Inside these long spikes are silken seeds… horsetail in behind (a childhood favourite)

20160823_105159

the seeds letting loose – this is the “messy” stage

20160820_133237

I wish this image was in better focus but I love that it is blossoming at the same time as the leaves are turning colour… red and magenta – what could be more beautiful? Especially when surrounded by green.

20160819_105249

fireweed along the side of the road, Kluane National Park.

20160819_105107

Fireweed and yarrow, Kluane National park

20160819_105623

I love this dusty pink, the seeds (smoke can be seen on the bottom left)

on the St. Elias hike, Kluane national Park

20160820_121131 20160820_13432220160820_120750

20160820_135443

The yellow leaves are dwarf birch, trembling aspen trunks with splashes of red fireweed

20160819_133342 20160820_113050 20160820_114345 20160820_114801 20160820_134610

“Roots and Wings” Video (Sue Bland Art Show 2016)

This video was put together by my neighbour and friend, Ian Stephens. We had a lot of fun searching for places to display art at the farm one beautiful June evening. When shooting the “art show” parts of the video, we had not anticipated noisy preparations for the July 1 parade just outside our door. That added to the fun. I am grateful to Ian for taking the time and using his considerable gifts to help me share my art in this way.

Image 20160701_155402 20160701_155659

"exploring the Four Directions", watercolour, 20" x 20"

“exploring the Four Directions”, watercolour, 20″ x 20″

Left to right: Birds on Fire, Sampler Dragon, Rain Dancer, Peaks

Left to right: Birds on Fire, Sampler Dragon, Rain Dancer, Peaks

20160701_155748

Dance of the Neurons

Sometimes seemingly disparate parts of our lives meet up and enliven each other. Here are some disparate parts  which came together in me to create this small watercolour entitled “Dance of the Neurons”.

  • I am learning to dance. I am afraid to dance publicly. This has been helped by my participation in Journey Dance with Michelle Brass, a free flowing dance and spiritual adventure. But I want to be able to dance with my nimble footed husband, to waltz and fox trot and polka with the best of them. Each week I spend an hour with my neighbour Donna, starting with basics. Listening for the beat. Step one, step two, step three. Beginning with very slow waltzes. Some mornings, Shane and I practice in the living room. I am slow but I am learning. Shane is very patient.  I no longer fall apart when I miss a step. I can find my place again. I have had a few moments of forgetfulness where I simply  enjoy the movement and the music. As I gain confidence, I know this will come more. I can imagine  loving dancing. … someday. I am tickled by the notion of adding a new morning ritual to the shared coffee and walk we presently enjoy – a dance every morning. This morning it was the Tennessee Waltz!
  • 549e2c755f0ed_-_book-release-one-hundred-names-for-love-lgI am reading One Hundred Words for Love by Diane Ackerman. When Paul West, Diane’s husband suffered a stroke, he lost the function of most of the language processing parts of the brain. Ackerman and West are both writers, and some of their shared  joys were  complex, imaginative  wordplay and inventing new words and phrases. Slowly with Ackerman’s help and ingenuity, West recovered parts of his brain and his language facility. Ackerman deftly explains how new neural pathways can be made even when the prospects seem grim and at any stage of life.
  • I am playing and experimenting with ink spills on paper. While preparing for an art lesson, I made a mistake, but loved how the ink spills and water spread on the paper. The resulting ink spill suggested flowers and paths, and before you know it, I was at play on a new painting.  Mistakes have been one of the best ways for me to try out something new in my art practice. This has resulted in a whole series of small paintings which start with an ink spill, a dash of water and sometimes a sprinkle of salt. Playing in this way has opened up some new territory in me.

    "Climbing the Hill", watercolours and inks, 9" x 12"

    “Climbing the Hill”, watercolours and inks, 9″ x 12″ . This is the piece that began as a mistake.

So, the painting “Dance of the Neurons”  is my salute to our neural pathways being sparked by learning new skills like dancing or shifting long held patterns and ways of thinking. (Back to dancing for a minute….when searching for a title for this piece, there is so much information about dance and neuro plasticity on the web, including a beautiful dance piece called Dance of the Neurons.)

When some people attend a Fearless Watercolour PLAYshop, they are afraid and sometimes just plain terrified. I understand because it is the way I feel about dancing. I am scared I will make a public display of my ineptness. Having a good teacher break it down for me helps. As a guide in Fearless Watercolours, I love to watch as people slowly relax, forget they are painting, watch with wonder  as they fool around  with water, paintbrush, liquid colour. As new possibilities blossom on the page,  they also stimulate  our nerve signals and they shift our body memory. Plus, we have pure fun!

Someday, I will be a fearless dancer. While I practice, my neurons are dancing to their own tune.

images

Source: https://blog.bufferapp.com/why-practice-actually-makes-perfect-how-to-rewire-your-brain-for-better-performance

 

Friday morning in the coulee

Alas! I set out early Friday morning to paint in the coulee just after the first flush of green! It was not to be – painting that is. The handy dandy yellow bag (pictured below) that holds my water had sprung a leak after many years of such expeditions. I watered the hill instead. Then I wandered the hills. They were  alive with bloom and blossom, with new plants pushing up through dry earth. I ventured from to hill to hill, smartphone in hand, bending low to look at all the amazing growth. Some are pictured below.

the leaky yellow bag and a sketch of

the leaky yellow bag and a sketch of what I think might be Missouri Milk Vetch(unsure)

20160506_072836

Missouri Milk Vetch (maybe). What I love about this wee flower are the leaves, a silver sage that are beautiful just on their own.

20160506_072731

Narrow leafed milk vetch (above) maybe and cushion milk vetch I am pretty sure

A hillside of cushion milk vetch

A hillside of cushion milk vetch

20160506_081500

Ground Plum?? I know I have seen plums on the hills arter flowering… I will keep an eye open.

20160506_073040

Grandfather Rock

20160506_073101

A view from Grandfather Rock

20160506_090859

The Hawthorne (but I didn’t go in) . A tick haven at this time of year!!

20160506_085942

Silver weed just before blooming. Aren’t these leaves amazing???

Silver weed just blooming

Silver weed just blooming

20160506_085712

Bear berry, kinnickinick

20160506_084442

Wild strawberry

20160506_085740

This photo soothes me

20160506_083756

the eye of sister aspen

20160506_083241

pussy toes

20160506_082104

Moss phlox

20160506_082222

A guess: Low Townsendia just before opening?

20160506_082115

Another guess : Plains Cymopterus?

20160506_081540

Guessing again: Sand Bladderpod?

20160506_081211

By the creek close to raccoon tracks

20160506_084651

Hoary Puccoon about to burst

20160506_091600 20160506_083451 20160506_082818 20160506_082321 20160506_082032

20160506_091440

Something about birds

What is it about birds? I love watching birds…. birds at the feeder, birds flying by, especially flocks of birds. On occasion, I try to paint the birds I see in a realistic way, but more often I create colourful birds of the imagination, birds from faraway tropics, birds with hairdos, eye rings…improbable birds. As far back I can remember, I have painted, drawn, sculpted, collaged and colored these fanciful birds.

Our spring has been unfolding slowly, with many false starts and sunny days that tease. Outside these past two weeks, we have had many gray and overcast days. Inside, I have been immersed in a world of colourful and wild birds in tangled gardens. It is as if another spring is blooming inside me! When I make a rice paper birds and arrange them between sheets of plexiglass or when I paint birds, It feels as if these birds reside inside in me, too many to count, and as they are created, they fly free in paint and ink, in collage papers. Why I love to paint fanciful birds, I do not know. They are a happy mystery to me. I feel as though I could create birds forever! Look below for my recent spring pieces followed by  an assortment of other birds in flight from years gone by.

" Spring Bursting Forth", watercolour and inks, 18" x 24"

” Spring Bursting Forth”, watercolour and inks, 18″ x 24″

20160403_144534 20160403_144653 - Version 2 20160403_144710 - Version 2 20160403_144742 20160403_14492020160325_204849 20160325_204859 20160325_204906 20160325_204918 20160326_06435520160326_064453DSC_0153 - Version 14 DSC_0198 - Version 2 DSC_0227 - Version 11 IMG_0009 IMG_0069 - Version 5 IMG_1248 IMG_1601 IMG_2168 - Version 3 IMG_2316 - Version 10 IMG_2389 - Version 12

Image 64 Image 88

"Tree Blooming Birds", Rice paper Plexiglass Collage, 32" x 40"

“Tree Blooming Birds”, Rice paper Plexiglass Collage, 32″ x 40″

 

Creating Space

12376309_540802336044983_7043968920811478191_nIf you don’t mind stairs, I’d like to invite you to climb some with me. Just one set.  I am curious. A sign made of two pieces of sample flooring on the street advertises Freestyle Art and Supplies. Handmade signs guide me as I go up the stairs and around a corner, through the magic door, and voilà – I find myself in an emporium of light, colour and baskets of colourful wires, feathers, bottle caps, wool, sticks, hockey sticks, papers, old CD’s – you name it, Freestyle Art and Supplies has it! I feel immediately at home. I want to do a happy dance all around the battered art tables! There is so much to look at. It is like the best kind of candy store suggesting all kinds of creative and intriguing possibilities. Here, in this magical place, the dreamchild of Swift Current artist and social entrepreneur Nancy Currie, creative transformation happens every day. Nancy collects things that no one else wants, and provides a space for anyone to come and transform these scraps, left overs and rejected bits and pieces into beauty!! (To read more about Freestyle, check out Matthew Liebenberg’s article in Swift Current’s Prairie Post.)

Photo of the irrepressible Nancy Currie by Matthew Liebenberg, Prairie Post

Photo of the irrepressible Nancy Currie by Matthew Liebenberg, Prairie Post, used with permission

20160311_162225 20160311_162138 20160311_162158

 

 

 

 

20160311_162405Nancy also invites artists, from near and far, to offer PLAYshops and workshops and share their skills with anyone who would like to come. Since she opened Freestyle in November 2015, guest artists have included Megan Currie (floral beading and painting your spirit animal), Trea Jensen (watercolours, watercolour mandalas, wire sculptures and wire and fabric), Orla Moen (geli printing) and regular Friday night artist Blinddog.

art by Blinddog

art by Blinddog

Imagine this – that a small city like Swift Current has a space created especially for bringing people together to transform stuff – rejected stuff – into art.

Nancy - displaying her courage and pluck

Nancy – displaying her courage and pluck

I like to think of how important it is to follow through on a vision  and create space like this. It takes courage and pluck and commitment. I watched a group of 9 to 11 year olds come in. They had arrived for a PLAYshop but they really didn’t need one – they were so enchanted with all the stuff everywhere, with the colour and possibilities and they could not stop looking. Those kids could have “freestyled” all afternoon. Freestyle Art and Supplies is a visual smorgasbord.

I like to think about how the visible spaces we create on the outside can nurture the space we all carry and hold in our insides.

A few examples:

I used to work in a community room in a busy school. Often we were creating art and there was art all around the room. Students would come in burned out, tired, discouraged and accept a cup of tea and a quiet place just to be. They would observe the hum of creative activity around them. More often than not, they would eventually  pick up a paintbrush or a pencil and begin the healing act of creating something themselves. I often wondered if an art table, an artist and chairs and supplies for others to create were put in the foyer of a busy high school,  would that change that particular space? Almost certainly!!

For years, I created art at the kitchen table or in a corner of our livingroom or bedroom or on the floor. Art supplies were tucked in the corner of just about every room in the house. Some months ago, our youngest daughter moved out, cleared out her room and said, “Mum, this room can be your studio.” It is. What a gift!! Each morning, I walk upstairs in wonder that I have a whole dedicated room to creating art. I have had many happy moments around my small table alone or with one or two others playing with paper or paint. Our whole house has changed because of this one space. The space inside me has changed because of this room!

Moving away from art spaces for a moment, I think of my first overnight visit to the Qu’Appelle House of Prayer where I was encouraged and supported to spend time in silence. In our hectic world, I felt in awe that such a place existed. Glenn, one of the co-directors , even makes a point of filling bird feeders at lunch so as not to intrude on the solitude one finds in their small cabins in the woods. To find a place which honours quiet, “useless sitting” and being still in a world which can be noisy, busy and over full seemed to me to be a miracle. This beautiful place honoured my need for space within myself.

20160312_181257

Whether we are creating a space to create art or a place to be still or a garden of beauty and wonder, it matters not. Such spaces invite us to STOP, to take notice, to step out of our day to day rhythms.

My ideal world has an art table around every corner – in midst of a busy day of shopping, for example, I like to imagine an art table. I sit down, begin to create something with my hands and my entire body settles down. I slow down. In the grocery store, just behind the baked goods, an art table. I have just enough time to do a Zentangle. In the process, I know exactly what we should have for supper and I continue my shopping. In a public park, on a beautiful day…an art table… where seniors can chat with families, where people of all ages can respond  and celebrate to the beauty around.

I am grateful to Nancy Currie, and the surprising  and inviting space she has carved out in Swift Current. It makes a difference to me…it makes a difference to the world. What follows are photos of those who came and enjoyed this space, and whose  wonderful spirit enlarged Nancy’s dream.12821466_543308529127697_587202860733885657_n

20160313_16375020160313_16374112814777_542961719162378_7563846253133297328_n12814276_542961542495729_6818976941469888604_n

20160311_190929 20160312_115352 20160312_142627 20160312_144517 20160312_154249 20160312_154258 20160312_154339

20160313_16413220160312_181129

554850_543620595763157_4189726386810231927_n

20160313_145735 20160313_151455 20160313_151603 20160313_162743 20160313_162757

Why is it called a PLAYshop?

20160228_082248

This post has been reposted from Sister Triangle Magazine

Pablo Picasso said, “All children are artists. The problem is how to remain an artist once we grow up.” I would say the same about “play”. All children have a natural ability to play – the question is – how do we keep the spirit of play alive in ourselves once we are adults?”

Let me come clean. I am an amateur artist, and I love to create art with others. Art, for me, is a form of play, exploration, expression, sheer fun, and prayer. Weaving these passions together, I offer art PLAYshops – a variant of “workshops” where I gently guide people as they paint with watercolours or create paper collages.

My passion for play goes back a long time. As a child, I loved putting on plays, dressing up, creating fairy homes in gardens, drawing, writing books, making up mysteries to solve, and building tree forts. When I grew up, I never lost my need for play and mischief, but found that this did not always fly well in the adult world of work. When I fell in love with a grain farmer, I found myself living in a community where the protestant work ethic was alive and well. While people did take time out to play, they often “played hard” (curling, baseball, fowl suppers). My own deep desire for play, whimsy, fun, and creativity seemed – well frivolous, selfish, and entirely beside the point.

For many years, raising four children, living as a farm wife with a job off the farm and volunteer commitments, I often felt as if my list of “to do’s” was on a never-ending toilet roll. As soon as I ticked a few “to do’s” off my list, more would race in to take their place. I often had no inner space to listen to the “still small voice” within. But when I did, the message was clear. Spend time in nature. Keep creating art. Nurture and celebrate your playful spirit. Take time to notice. These are essential to your well-being, as necessary as breath.

In time, both circumstances and shifts in my own priorities began to give me the “space” I needed to create art. There were still voices in my head telling me to do something more useful, more practical, less selfish, more lucrative. Nonetheless, I made a conscious choice to take time to play and to create art. I gave myself permission.

If creating art fed my spirit, I mused, maybe I could offer the opportunity to others. Starting at my kitchen table with a few friends, my art PLAYshops were born. Now, some years later, art PLAYshops and retreats are a vital part of my fledgling art business.

Who comes to art PLAYshops? People of all ages. Those who have not created art since school. Those who don’t think they have a creative bone in their body. Those who have bought art supplies for “when they have time”. Those who are curious. Those who want to give themselves a day away from whatever their usual busy routine is.

Each PLAYshop is a fabulous learning opportunity for me. What have I noticed and learned? For starters, I have learned how hard it is for people to remember to say PLAYshops instead of WORKshops!! This interests me. Does play have less substance or legitimacy than work? It is not a question of work versus play as the two often overlap: we have all done work that was so natural to us and that we loved so much that it felt like play. I would note, however, that our culture almost always errs on the side of too much work and not nearly enough play. Art PLAYshops are one small way to redress that balance.

I have learned that many people feel fear about creating art and are worried about making mistakes. Back in school, one or two students were labelled the “Artist” despite the fact that everyone has the capacity to learn to draw. In a PLAYshop, I try to create an atmosphere where people feel comfortable and safe to play and to experiment, to ask “what if I tried this?”

I have noticed the physical comfort people feel in simply working with their hands. As they become totally absorbed in what they are doing, all of the chatter in their heads shuts down. They often forget to sip their tea or go to the bathroom. There is a “zen” feeling in the room. I imagine that they are feeling what I feel when I “play”: a contented tingling or humming within, a quiet joy, a sense of lightheartedness. Well-being. I don’t feel any “shoulds” when I play. There is nothing forced about it. I feel delight.

I notice that people often go deep when creating art in this way. We go to a holy place. We can express those things we have no words for; creating art is a healing activity.

Finally, I notice that although the emphasis is not on the final product, people are usually surprised and often amazed by what they have created.

Each of us does something in our lives that we love doing and that comes to us naturally. A friend feels this way in her drumming group. Another practices “manure meditation” when mucking out her horse stalls. Many of us feel this way when gardening or knitting. Where do you find the “spirit of play” in your life?

Don’t Fence Me In

My friend Carol introduced me to the term “manure meditation”. It is Carol who mucks out the pens at Ravenheart Farms*,  a wonderful equine assisted learning retreat centre and ranch she runs near Kamsack. For Carol, mucking out is a meditative activity. I agree. Farm chores settle me – in part because of the physical work and in part because I love working close to animals. On a day like yesterday, when spring arrives full force and horse manure is in evidence everywhere, “mucking out” is the perfect morning activity.

My late mum, Sylvia, taught us that the smell of horse manure is as wonderful as the tang of salt air or green growing things. When we went birdwatching as a family, Mum would roll down the window, wrinkle her nose like a bunny and go “mmmmm, the beautiful smell of horse manure”. What great early conditioning!! There is no question in my mind that horse manure smells better than most other any other manure I can think of.

There is another reason I am drawn to the horses this morning. Our daughter’s horse, Gatty, has Sweeney Shoulder and has been confined for a few months in a small pen, while her companion Missy can go wherever she likes. Shane and I take turns walking Gatty as well as massaging her, offering her healing touch or brushing her. This daily contact has been a gift to both of us.

I am learning to “listen with” Gatty, to hear the sounds of our farm in a whole new way. As a prey animal, Gatty is alert to each and every sound on the farm – the swish of pigeon’s wings as they fly out of the barn, the cry of the merlin or the moo of neighbour cows, every move of our dogs, the opening and closing of doors, the sounds of vehicles, the croak of a raven, the gurgle of water in the bowl. She does not like the sound of the sleigh full of manure as I move it from her pen across snow and ice. On the other hand, Gatty and Missy seem to love it when I sing, unlike every other member of our family!

I am learning to “listen to” Gatty. To pay attention. To pick up the signals when she indicates “enough already.” Or the lowered head, sleepy eyes and relaxed stance which tells me that she is soaking up the way I am touching or massaging her. The way she yawns and makes goofy horse faces and stretches her gums and sticks out her teeth means that she is releasing endorphins. She is my teacher, an exceedingly patient one.  I like to watch her graze, to observe how her beautiful soft nose guides her to the most succulent (dead) grass found in the pasture. Grazing on a lead is about as free as she gets these days. Sometimes I think she would give all her treats for a good roll in the pasture to get rid of some of her winter hair. It must be itchy!!

I have been thinking of the word “tethered” recently. In light of Gatty, who is “tethered” but also in light of animals tethering us to the farm. Throughout my twenties, my theme song was “don’t fence me in”. Untethered was my modus operandi. Free as the wind. Recently, with our children off on their own, we decided to stop keeping chickens and selling eggs which we had enjoyed for over a dozen years. We did this because we wanted more freedom. We hoped to be less tethered to the farm. As they say, “animals tie you down.” It’s true. They do. My experience this winter with Gatty has helped me understand that I also value being tethered – the company of she and Missy, of our two dogs and of our old barn cat (recently retired to the inside) adds depth and comfort and joy and companionship that I cannot imagine my life without. We are not entirely tethered because we do hope to go away this summer, have someone care for our creatures and return home to see them all again.

With Gatty, these days, there has been another kind of tethering – a different kind. One which most of us are familiar with. It is more like the invisible tie that binds, the gossamer thread of heart to heart connection.  Sometimes I think of her and it is like she is right there. I wait for the day when she can have a larger area to roam in. In my dreams, she is galloping, full steam ahead, moving with no restraint whatsoever.

Gatty - fenced in

Gatty – fenced in

20160306_102734

the manure sled

20160306_102805 20160306_102844 20160306_102849 20160306_103005 20160306_103046 20160306_103104 20160306_105558 20160306_105601

Oh give me the land, lots of land
Under starry skies above
Don’t fence me in
Let me ride through the wide open
Country that I love
Don’t fence me in
Let me be by myself in the evening breeze
Listen to the murmur of the cottonwood trees
Send me off forever but I ask you please
Don’t fence me in

Just turn me loose let me straddle my old saddle
Underneath the western skies
On my cayuse let me wander over yonder
Till I see the mountain rise
I want to ride to the ridge where the west commences
Gaze at the moon till I lose my senses
I can’t look at the hobels and I can’t stand the fences
Don’t fence me in

lyrics by Cole Porter

*Read about an art and horses retreat at Ravenheart farm

 

Commission

 

Definition:

An order for something, especially a work of art, to be produced specially:
Mozart at last received a commission to write an opera

My Definition:

A mission which is shared by 2 or more people, with one being the co-creator or maker and the others having creative imput. Sue at last received a commission to create a rice paper panel in consultation with those who commissioned it.

The mission:

To create a beautiful rice paper plexiglass panel for a bathroom window that would serve as a kind of “curtain” or blind so that people outdoors could not see in to the bathroom.

How we worked together:

We knew two things at the beginning – the size of the window (which suggested the size of the plexiglass panel) and that we wanted colourful rice paper birds to be a part of it. Because the window looks out to trees (bare branches in winter), we decided to create branches for the birds. The branches would be bare in winter while in spring they would be enlivened with the green foliage that could be seen through the clear parts of the plexiglass.

My Part:

20160104_111920_LLS

Creating a template for the branches

Tracing the template on to Brown Silk Ashiro Paper

Tracing the template on to Brown Silk Ashiro Paper

Trying the branches in the window

Trying the branches in the window

Trying simpler branches

Trying  a simpler branch

Rejecting the simpler branch

Rejecting the simpler branch

 

I taped the branch with a simple arrangement of birds to the cottage

I taped the branch with a simple arrangement of birds on the plexiglass. Here it is in its “destination window”.

Time to Consult:

I taped the branch and some birds to the plexiglass and brought a whole handful of extra rice paper birds. The couple I was working wanted more birds, especially at the bottom, and especially more birds with red on them to pick up the colour of the bathroom walls. We also hit a problem: you could see through the panel into the bathroom. We hoped that more birds clustered at the bottom would help solve this problem.

20160205_135631 20160205_11283120160127_17091520160205_135639 20160205_13564520160204_173418

I created more red birds and sent them mock ups of different arrangements of birds on the tree

I created more red birds and sent them mock ups of different arrangements of birds on the tree. This is #3.

20160127_091531 20160127_110557

20160205_112612

This is # 6, the version the couple chose.

The next part is the finnicky part. The branches and the birds need to be affixed to the plexiglass. I do this using “zots” – tiny glue spots. The design of the branches that overlaps with the bird is cut out so that the overall design is not too intricate and each birds colour shows well. A few birds, such as the red one, on the bottom left, are left with the branches criss crossing their colour. It takes a couple of hours  and a lot of patience for this stage.

Attaching the birds and branches to the plexi glass

Attaching the birds and branches to the plexi glass

Then the 2 panels of plexiglass are screwed together, fishing line is attached to the top screws so that the piece can be hung and it is ready for delivery. Because plexiglass panels shift in different lights and through different seasons, they need be lived with for a while to be truly appreciated.

Some of the challenges in creating rice paper collages in plexi glass are:

  • Can the two pieces of plexi glass be sealed so that there is no condensation in a bathroom? Someone has suggested using acetone and I am going to try this.
  • A plexi panel is like a see through shirt- not everything is hidden. I have used rice paper backgrounds but then you lose the beauty of seeing what is really beyond the window.We did cluster birds at the bottom, but this did not work as well as we had hoped.
  • Plexiglass is great stuff but it picks up dust and tiny bits of whatever – how to reduce its static qualities?

Each new art piece is an adventure for me. I welcome any knowledge or insights. To see more panels, check out https://poachedeggwoman.ca/galleries/rice-paper-glass-collages/

 

 

 

To Barter

bar·ter
ˈbärdər/
verb
1.
exchange (goods or services) for other goods or services without using money.
“he often bartered a meal for drawings”
synonyms: trade, swap, exchange, sell
“they bartered grain for salt”

Barter #1- IT help for a watercolour

Some time ago, I panicked when I could not get into the “dashboard” (where I make changes, add and delete things) of my website. I tried to enter multiple times with the predictable result  that I was locked out. I had that sick feeling when we realize we know very little about something we depend on for so very much. My trouble shooting daughter could not help me out this time.

I put out a plea out on Facebook, and met Ruth, the daughter of a friend who was willing to help. I stopped in late at night, after her long work day.  When it seemed to be a more complicated problem than I thought, I left the computer with her for a sleep over. Alas, just at the edge of the city, Ruth and her husband called – they had solved the problem and I drove back. I could not have been more relieved or grateful. It was not just that they had helped me out, it was they did it with such good grace and good humour, and never showed for an instant that they would rather be doing someting else.

I offered them eggs, honey, money or art. Ruth asked for a watercolour of blue eyed grass. Blue eyed grass grows both in my birth home in Ontario as well as here in Saskatchewan. A small deep blue flower with a yellow centre, it often takes my breath away when I see it in a thatch of grass. It is a surprise, it has the power to get you to stop and bend down and look at it really closely, it is diminutive and unassuming. I have often thought of painting it but didn’t feel I have the mastery to catch its essence.

20151215_101415Usually I plunk myself down beside the flower and like to spend time with it before painting it but of course, it is winter and I cannot. I had a couple of pleasurable times exploring blue eyed grass with my watercolours. I never came close to expressing what I feel about this small wildflower, but I loved trying, and in the trying getting to know it better. I hope to spend more time with it next summer, perhaps on the coulee hills.

20151214_170335 20151215_101501 20151215_101616

 

 

 

 

 

 

 

 

 

Barter #2 – Children’s Book for Dance Lessons

When Donna asked me if I would be willing to work on a book for her grandson, I said, yes, but not for a fee, for a barter. I had a sense that while I wanted to give this a try, it would take quite a few hours and that a barter made way more sense than money. Donna had the story idea, and in fact had written it down and she and other family members had lots of photos.  It ended up being a combination of a scrapbook and a children’s story focused on one little boy and his nana who have a great and memorable adventure together. The gift in this exchange for me (not unlike the barter above) was how much fun and delight I had putting this together, and how sweet it was to celebrate the loving bond of a little guy and his Nana.

When Donna came to pick up the completed book, she asked what I would like in exchange. She is a very talented person, so I rhymed off “Baking orpickled eggs or started plants in spring or….I have this kind of crazy idea.” “What?” she asked. “Old time dancing lessons. Shane is a wonderful dancer and I am not, but I would love to learn.” That final suggestion made her eyes twinkle, so in spring, when her husband  is off seeding, we are going to push back the furniture in her living room and try a polka or two in her living room!

Because these two barters happened at the same time, I am struck by how much about them is pure gift. In the first case, there is the gift of the help I needed, of the generosity of spirit with which it was offered as well as giving me the chance to paint a flower I might otherwise not have tried. In the second case, it was a gift to be reminded of how I love to work on a project, especially a children’s book. There is the anticipated gift of dance lessons, and of dancing with Shane. On the other side of this equation, Ruth and Donna also both gave and received a gift.

20151222_151336 20151222_151424 20151222_151448 20151222_151512 20151222_151856 20151222_151903 20151222_151938 20151222_151946