Category Archives: Art- Process
Playing with Plexiglass (and rice paper)

Rice paper Trio on 8 x 8 Plexi Glass with Artscape Rice Paper providing the frosted look (and UV protection)
Creating rice paper birds fills me with a quiet joy and delight. In a sense they are all the same bird, although they vary slightly in size and shape and are all the colours of the rainbow. Holding a piece of pink rice paper to the sunlight with a piece of green behind it and seeing how it looks in different lights thrills me. It is one thing to glue pieces of translucent paper together on a table; it is an entirely different thing to hold these same pieces of paper up to the window and see how they are completely transformed by light. As I create a rice paper birds, it is akin to having a conversation with light – I cut, I hold up to the light, maybe I glue, maybe I try another shade. For this reason, it takes about 45 minutes, give or take, to create a rice paper bird. I feel as though I could cut and glue and construct these little creatures for a very long time.
Since I am clearly hooked on creating rice paper birds, I have to ask how to move such birds into the world? While it is true that a handful of people have one or two such birds flying in their windows, I want to create sky-fulls of them. I like putting them together on a window, a branch, a translucent screen and creating a pattern of movement. Flocks, families, communities of birds winging their way to an imagined sky. This led to “An Exultation of Larks” created last spring. I like seeing how they look in different venues, during different seasons, in the mornings or the afternoons or on the light of a sombre day.
This fall, I have purchased a quantity of plexiglass, cut in a whole variety of sizes as well as some glue that works well with plexi-glass (but has toxic vapours). Above you can see my first two experiments, done on 8 x 8 pieces of plexiglass. I will try sealing them with glue at the edges. (Up until now, I have been using screws.) I prefer to have no frame around the birds as I like the illusion that they can fly off into the sky. However, I also hope to experiment with real glass, circles, and thin copper or silver frames with help from a local stained glass artist.
I am currently working with a long rectangular piece measuring 28″ x 8″ and loving the challenge.
Truly Home
How do you know when you are well and truly home? Three vignettes from my life in Treaty Four Territory, under the prairie sky.
I.
I am well and truly home!
Our two farm dogs, Lady (mum) and Herc (son) fell into their own routines when I abandoned them and went to Ontario. That routine involves hunting muskrat in the dugouts, clearly an absorbing task for a pair of canines. I would head off on my morning walk, call the dogs and to my great dismay, nobody came. When I was a few kilometres down the road and on my way back, I would see two distant black dots racing down the road towards me, wearing signs of dugout activity when they arrived. Wet, with flecks of lime green duckweed on their coats!
Now, some weeks and many morning walks later, the dogs have caught on and have let the dugout go in favour of a morning walk.(Muskrat relief, to be sure!) They can barely contain their joy when I come out the door. All the way down the lane, they do doggie backflips, fall over each other, contort their bodies and tails in movements of joy and excitement and anticipation. Lady even smiles, a kind of ugly but sweet grimace. They trip over each other. Sometimes I can barely move down the lane. I occasionally remember kicking one of these dogs predecessors once because I was so frustrated that I could not move. (Shame!) The walk down the lane is a good a barometer of how crusty (or not) I might be feeling in the morning.
Two things: I am grateful that we have a short lane. The dog’s antics fill my heart with joy and are the best beginning to a morning walk.

I am now able to walk across the south field because it has been combined. Field walking is even more pleasurable than walking down the road. I like the unexpected dips and swells, the curves and surprises of walking across the fields. I like the wild untouched areas – a grove of willows here, a wetland there, an unexpected rise over here. The dogs follow their noses, read each other’s body language, their tails erect and a certain tension in their body when they pick up a scent. They bound ahead, disappearing at times, surprising me later by coming up from behind. Their movement is like a dance, is like the swoop of the grass birds as they fly hither, is like the curve of the land itself, under this vast bowl of sky.
II.
Last week, I was able to visit Pheasant Creek Coulee almost every day, sometimes with my paints, sometimes not. Colours are just beginning to change. The pinks of the bluestem grass on the hills is astonishing. This morning when I arrived, there were four Swainson’s hawks flying just over the hill where I often sit. I stopped and sat and watched them, listened to their sharp cries, wondered if they were a family or just a group of hawks who liked to hang out. The cry of a hawk is like the pungent scent of sage – no matter how many times you have heard it or smelled it, it catches you unawares, urges you to wake up, pay attention!
I come to Grandfather Rock, a place where I have painted often. In a certain way, trying to paint in this place is a way to come to know it better, to see all the shades alive in the pink of the bluestem, to wrestle with all of the troublesome yet beautiful greens. After some attempts to catch the feel and colour of the day, I return to what it is that I love most about this place – how to paint the shape and curve of the land – the skeleton, the bones beneath these hills.
III.
Treaty Four Powwow, under the arbour. Flashing colours of dancers everywhere. Sound of drums beating here and there. A beautiful fall day nestled by Mission Lake in the folds of the hills of the Qu’Appelle Valley. Garbage floating off in the wind, or trampled underground. The smell of sweetgrass, of home fries, of deep frying. Powwow announcers trying to get people to come for the Grand Entry.

jingle skirts, Treaty Four Powwow. Photo courtesy of Kate Hersberger, http://movingforwardlookingforthejoy.blogspot.ca
I have just been to see our daughters, Jessie and Marina, and their horses Missy and Gatty. They have camped out here all weekend with other riders who made the trip here on horseback to honour the late Chief Irvin StarBlanket. Marina tells me that they have been asked to take part in the Horse Ceremony which will occur before the Special (Dance Competition) in honour of Chief Irvin. She is nervous. Gatty will do fine, she tells me. She is worried about riding in front of such a big crowd.
I am sitting directly across from where the riders will enter the powwow arena. Elder Mike Pinay, the announcer, shares something about the Horse Ceremony, and then says that two girls from outside the community have been asked to take part in this ceremony, to ride for the mothers and for the grandmothers. He goes on to say that it is unusual to ask outsiders to take part but that these girls are great friends of the community, and know some of the ways of the community. It is a great honour for them to take part in this ceremony.
Mike then asks the StarBlanket Juniors drum group to begin their song and all of us stand. I stand tall, full of prayer, or pride, of love for these two daughters and the great honour they have of taking part in this. Marina nods in my direction as she rides by.The five horses circle the arbour four times, going slowly the first time around, then trotting, then loping. Drums beat, hooves beat, hearts beat…. I think of their grandmothers and great grandmothers….They look beautiful. Our daughters sit tall in the saddle.
When they are finished, I see them heading off towards the hills to let the horses have a good run, to let the horses loose. I have been proud of these girls many times before, but never like this.
A Spring Day with heART & SOUL

The Queen of Scissors was definitely hazel who cut out these tiny dragonflies with precision and grace
Yesterday I had the fun of playing with paper, and scissors and glue at my heART & SOUL PLAYshop entitled COLLAGE: CELEBRATING SPRING with 6 other women. Although the snow is slowly melting, the day wasn’t really very spring-like and those of us who climbed the valley hills after lunch felt frozen and virtuous afterwards. Inside however, as you can see above, we greeted the spring blooming in our own hearts, and created flowers and sunshines, birds and dragonflies, soil and beets and fairies.
Who came? A mother and daughter, old friends, people I knew and more people I had never met before. Some had experience with collage or with quilting; others had not cut and pasted anything for many many years.
Best of all, we learned that at the next collage PLAYshop, we are going to also eat chocolates and candies, wrapped in beautiful foil of all colours. Then we’ll make more art with the wrappers!
Some of the paper we used is “found” paper, from candy, chocolate and cigarette wrappers, from wrapping paper, the inside of envelopes, ticket stubs and old maps. Lots of the paper above was purchased at the Paper Umbrella on 13th Avenue in Regina or at Colors Art & Framing on 1347 Winnipeg, also in Regina. I also love to visit the Paper Place on Queen Street in Toronto – you can also order online from them. If you are a paper lover, each of these places spell both D-A-N-G-E-R and deLIGHT!!!
The Choir of No
I am having one of those weeks!
This watercolour was done about 5 years ago, when I decided that creating art needed to be more central in my life. I became aware of all the voices in my own head telling me that this was sheer lunacy!
I am glad the this version of Poached Egg Woman is with me still. Because you can be sure that the Choir of No still visits from time to time! This week I have dithered about what to donate to a charity auction, what the title of my upcoming art show should be, whether and when to have a PLAYshop this spring.
Regarding the title of my upcoming show – should it be “Winging it”, “Taking Flight”? – heck, I don’t know. Something to do with birds in flight, but hard to imagine what when I am feeling – well, grounded!! This week, I have started paintings and been unable to finish them. I have started cleaning my art space and stopped right in the middle. It is like I have a lump in my throat. You know the feeling!
One of the fun things about having this print on hand at sales, is that even people who aren’t artists “get it”. They get the “Choir of No.” They laugh. Most of us are familiar with some version of this chorus!
If you want to know who Poached Egg Woman is anyway, click the link and check out the bottom of the page. Poached Egg Woman does other things besides listen to the Choir of No. For a sampling, see the gallery “Poached Egg Woman and other Feathered Creatures“.
Water Snake #4 – Process
Water Snake #3 and #4 were done while I was at Christie Lake in Ontario this past fall. The first picture gives you a little context, the view from the cabin each day. I occasionally worked out doors, but mostly worked at the table (second to last photo) in a small cabin with beautiful light, and no heat!!! It was a great adventure. (Although I did swim, it was freezing and I did not swim every day. I enjoyed the company of the loons.)
Celebrating Year of the Water Snake
I have been dreaming about water snakes for quite some time. Drawing them, trying to urge them to life with watercolours and collage, imagining them. When I began, little did I know that 2013 would be Year of the Water Snake! What a happy coincidence!
I am working on a series entitled “Creatures I Swim With” – which depicts some of the creatures I share the waters with at Christie Lake near Perth, Ontario. This is the lake of my childhood, the lake I have returned to from Saskatchewan with our family every second summer, the lake that calls me still. “Creatures I Swim With” has a cast of two so far: Loon (Deep Diver) and Northern Map Turtle. Water Snake is the third creature.
Deep Diver and Northern Map Turtle involved some preparation and a few preliminary sketches, but I very quickly got to the final products – both are a mix of watercolour and paper collage.
Water Snake has been a different matter. I have worked on 5 versions, trying to get it right, feeling my way as I go. From a recent journal: “I am loving the struggle. I am learning what the struggle is about by playing with each of these versions. Loon is identifiable as a Common Loon, turtle is Northern Map Turtle, but this snake – although definitely a snake does not look like a Northern Water Snake. It is the feeling of Water Snake that I want. I seldom see Water Snake. Mostly, I imagine I see Water Snake. I saw one once, swimming across the water and I could not believe my eyes. I was terrified. After that, it seemed, every dark stick lying on the sand and lent motion by the water above it was a snake lying deep in the water. Or every dark ripple on the surface of the water was a snake. Every brush of seaweed along my thigh felt like a water snake. They are seldom seen. Often imagined. Not dangerous. But, I think they are!”
One day, early in my relationship with Water Snake, my friend Dolores found a little Smooth Green Snake. Something had very recently killed it. Other than a small wound part way down its body, this little snake was perfect… a most beautiful vivid lime green, with tiny scales, an irridescent gleam… something I could study for hours. You can see it in the photo above (top right) with a watercolour sketch beside its now wizened body.
The day before starting to paint Water Snake #1, I found a perfect (garter) snake skin on a coulee hill…laying there like a gift. A gift indeed.
What is the feeling of Water Snake that I hoped to capture? Here are some of the words I wrote down:
coiled power mystery sheen depths glitter sparkle surprise danger beauty fierce fear terror ominous flexibility agility shifting elegance power hidden dark revealed
Over a period of months, I worked on four versions of Water Snake.
Then, other projects took precedence. I knew that Water Snake was not done with me, but there was something holding me back from continuing to explore.
My friend Mary called. You should check out The Rime of the Ancient Mariner, she said. So I looked up Samuel Taylor Coleridge’s book, and just as Mary said, the water snakes play a pivotal role. In this ballad, the ancient mariner undertakes a sea journey and mistakenly kills an albatross, usually a symbol of good luck for sailors. He hangs the corpse of the albatross around his neck. Things go from bad to worse, from worse to desperate – even his crew dies, and rather than rotting, they stare reproachfully at him. He is so distraught that he cannot even pray. And then,
Beyond the shadow of the ship,
I watched the water-snakes:
They moved in tracks of shining white
And when they reared, the elfish light
Fell off in hoary flakes.
Within the shadow of the ship
I watched their rich attire:
Blue, glossy green and velvet black,
They coiled and swarm; and every track
Was a flash of golden fire.
The sight of the beautiful water snakes lifted his heart so much (“Oh happy living things, no tongue their beauty might declare”), that he blessed them and was able to pray. At that moment, the albatross falls from his neck to the sea.
Of course, we know that snakes are an ancient (and current) symbol of healing. Asclepius was the god of healing and medicine and could restore the dead to life. The two snakes intertwined on a rod are carried by Hermes, who was not a healer but who was a messenger of the gods with a strong connection to the underworld. This symbol is associated with both pharmacy and alchemy. But this reminder of snakes as beautiful, as agents of healing, transformation and rebirth was what I needed to get me started on the fifth version of Water Snake. Joy, play, movement were added to my list of words.
I was further encouraged when I learned that 2013 was the Year of the Snake. Something loosened in me and out came the scissors, glue, papers, paintbrushes, yogurt container of water (!)and tubes of colour. Water Snake #5 is a little bigger than the others.
Because Water Snake #5 is so precise, I felt a great wiggle and desire to move inside, so began a more fluid watercolour piece which I called Water Snake Wiggler. Some images of the process of creating these two pieces can be found in the gallery entitled “A Close Look at Water Snake #5”
- Water Snake #1
- Water Snake #2
- Water Snake #3
- Water Snake #4
- Water Snake #5 – detail
- Water Snake Wiggler, watercolour, January 2013



































































